By Jeff Foster
If you are within the company of movement photos or laptop electronic video construction, you recognize that Adobe's After results and Photoshop are of the main quintessential content material production instruments. extra built-in than ever sooner than, the world's number-one compositing and image-editing courses can be utilized in tandem to create caliber paintings at a comparatively least expensive. however it takes years of expertise to determine tips to get the main out of this notable duo. With After results and Photoshop: Animation and creation results for DV and picture, snap shots guru Jeff Foster has created the 1st booklet dedicated to displaying how one can use those courses jointly to provide animations and results at the computer. This useful advisor focuses completely on concepts generic within the box in addition to state of the art construction tips. those hands-on tasks will demystify cool Hollywood results and assist you clear up your day-by-day demanding situations. and they will encourage you to imagine extra artistically whilst drawing close your creations.Inside, you will find seasoned strategies for movement portraits and video construction, together with how to:Add intensity and realism for your animations by way of mimicking actual movement; Use exaggerated routine to reinforce characterization; observe 3-D animation to 2-D photos; get rid of heritage fodder with blue-screen rubbish mattes; hire rotoscoping thoughts for frame-by-frame retouching; build lifelike composites and scene destinations utilizing matte portray innovations; Make video clips from stills by way of simulating 3-D digital camera movement; make the most of standpoint, pace, and scale to create plausible relocating items; Produce lifelike lighting tricks resembling noise, clouds, and smoke; perform imaginitive movement titling results that seize people's recognition; boost expert scene transitions utilizing 3D layer animations; and masses more!"
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Additional resources for After Effects and Photoshop: Animation and Production Effects for DV and Film
Drag the background file onto the Comp 1 window and convert it to a 3-D layer. Open the Left side view and drag the Z-axis arrow to the left about 1000 pixels from the center. 28). 28: Position the stacked bills image as a 3-D layer in the background. Duplicate the background layer and position it upward in the Y-axis position, next to the original layer. 29). This will place the duplicated layer just slightly behind the original so the seam won't show in the final rendering. 29: Duplicate the background layer and position it on top of the original to create one long background to move the camera along.
Change the Blur Length to 0, because the movie text layer is no longer in motion at this point. Use a RAM Preview to check that all of the motion is working properly. 11). Notice the big difference a small amount of ambient light can have on the entire animation! mov found on the DVD for reference. 11: Adding a little ambient light to the scene brightens up the layers and warms up the shadows. Animation with a Camera in Motion Now that you've experienced working with rotating and moving 3-D layers on an axis, positioning lights, and changing work views, it's time to explore working with cameras.
33). All of your movements can be done in either the Left side view window or the X-and Y-axis settings of each layer on the Timeline. Be sure not to change the Z-axis settings, or your coin stacks may be cut off at the bottom or appear to float in the air above. 33: Duplicate and reposition the coin layers, distributed around the background. Putting the Camera in Motion We'll now animate the camera by creating a motion path for it. This will determine the speed of the animation as well as the timing for the remaining motion elements.
After Effects and Photoshop: Animation and Production Effects for DV and Film by Jeff Foster