By Rob Sheppard
Total, this publication is an effective creation to Lightroom. I picked it as much as learn earlier than i made a decision to buy this system. As a complete reference publication it falls method brief. for example the index is bad - many themes aren't incorporated within the index but there's details supplied within the textual content. furthermore, some of the beneficial properties and capabilities of Lightroom are lacking from this ebook. for instance, there isn't any point out of the "Painter" icon and what it does within the Library Module but he devotes 3 pages to displaying you ways to alter the id Plate - like i must see my identify rather than "Adobe Photoshop Lightroom."
Again, an exceptional advent yet no longer a very worthwhile reference publication.
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Extra info for Adobe Photoshop Lightroom 2 for Digital Photographers Only
Photoshop has a large RAM footprint and loads slowly. > Lightroom is designed for fast work by a photographer. Photoshop is designed for complex work by many types of users, and speed is not the primary goal (although recent versions of Photoshop do have speed refinements built into them). deal with images. Photoshop gives you an infinite amount of control over how you deal with images. > Lightroom only offers tools that affect the photographer. Photoshop offers text, special effects, high-level commercial printing controls, and other specialized tools.
It is only when you export the file that it finally changes, with the adjustments actually applied to the pixels. There is another advantage to non-destructive processing in Lightroom that is often missed: it reduces the number of image files you have to keep. For example, you don’t need multiple files at different resolutions for printing — you simply print directly from the Lightroom file. You don’t need a whole new set of image files for a slide show — you just work on the slide show in Lightroom.
Photography is definitely a craft — an art and a science developed with practice by using and learning the many tools involved so that through trial and error, one masters the skills needed through a period of apprenticeship. Sometimes I’ll tell my group that we need to keep photography in digital photography. While it is true that most photographers don’t have a true, traditional apprenticeship (though some do, becoming assistants to top photographers while they hone their craft), one cannot pick up a camera and immediately become an excellent photographer.
Adobe Photoshop Lightroom 2 for Digital Photographers Only by Rob Sheppard