By David D. Busch
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Additional info for Adobe Photoshop Elements 3: Photographers' Guide
The good news is that this effect, sometimes called “telephoto distortion” has nothing to do with the lens itself. It’s simply an effect caused as you move farther away from a subject. For example, if you are photographing a series of fenceposts that are spaced 10 feet apart, and you’re standing 10 feet from the first post, the second post will be twice as far away (20 feet), the third one three times as far away (30 feet), and the fourth one four times as distant at 40 feet. Now move 50 feet away from the first post.
Consider using a tripod, if you have one available, to steady your camera. At the very least, try bracing the camera against a rigid object, such as a tree, building, or rail. ) to provide the most magnification you can in your original picture. 12 represents a combination of best possible/worst possible scenario. On the plus side, I managed front row seats just behind and above the dugout on the third-base side for this professional softball game. Unfortunately, when the action started, I had a zoom lens that topped out at the equivalent of 105mm, so my picture wasn’t the close-up look I really wanted.
You can preview the results visually, but use a few rules of thumb to decide how much to move this control. The main thing to keep in mind is the original resolution of your image. Low-resolution images (under 100 dpi) can’t benefit from much more than one- to three-pixels worth of edge sharpening, while higher resolution images (300 dpi and up) can accommodate values of 10 or more. You’ll know right away if you have set your values too high. You’ll see thick, poster-like edges that aren’t realistic, accompanied by a high degree of contrast.
Adobe Photoshop Elements 3: Photographers' Guide by David D. Busch