By Laurie E. Maguire
Think you recognize Shakespeare? reconsider . . .
Was a true cranium utilized in the 1st functionality of Hamlet? have been Shakespeare's performs Elizabethan blockbusters? How a lot will we quite find out about the playwright's lifestyles? And what of his infamous dating along with his spouse? Exploring and exploding 30 renowned myths in regards to the nice playwright, this illuminating new publication evaluates all of the proof to teach how ancient material—or its absence—can be interpreted and misinterpreted, and what this unearths approximately our personal own funding within the tales we tell.Content:
Chapter 1 Shakespeare used to be the most well-liked author of his Time (pages 6–10):
Chapter 2 Shakespeare was once now not good knowledgeable (pages 11–17):
Chapter three Shakespeare's performs might be played in Elizabethan costume (pages 18–25):
Chapter four Shakespeare was once now not attracted to Having his performs revealed (pages 26–33):
Chapter five Shakespeare by no means Traveled (pages 34–39):
Chapter 6 Shakespeare's performs are Politically improper (pages 40–46):
Chapter 7 Shakespeare used to be a Catholic (pages 47–53):
Chapter eight Shakespeare's performs had no surroundings (pages 54–59):
Chapter nine Shakespeare's Tragedies are extra critical than his Comedies (pages 60–65):
Chapter 10 Shakespeare Hated his spouse (pages 66–71):
Chapter eleven Shakespeare Wrote within the Rhythms of daily Speech (pages 72–79):
Chapter 12 Hamlet used to be Named After Shakespeare's Son (pages 80–85):
Chapter thirteen The Coarse Bits of Shakespeare are for the Groundlings; the Philosophy is for the higher sessions (pages 86–93):
Chapter 14 Shakespeare was once a Stratford Playwright (pages 94–98):
Chapter 15 Shakespeare used to be a Plagiarist (pages 99–105):
Chapter sixteen we do not understand a lot approximately Shakespeare's existence (pages 106–112):
Chapter 17 Shakespeare Wrote by myself (pages 113–118):
Chapter 18 Shakespeare's Sonnets are Autobiographical (pages 119–124):
Chapter 19 If Shakespeare have been Writing Now, He'd be Writing for Hollywood (pages 125–129):
Chapter 20 The Tempest was once Shakespeare's Farewell to the degree (pages 130–136):
Chapter 21 Shakespeare had an incredible Vocabulary (pages 137–142):
Chapter 22 Shakespeare's performs are undying (pages 143–149):
Chapter 23 Macbeth is Jinxed within the Theater (pages 150–155):
Chapter 24 Shakespeare didn't Revise His performs (pages 156–162):
Chapter 25 Boy Actors performed Women's Roles (pages 163–168):
Chapter 26 Shakespeare's performs do not paintings As video clips (pages 169–174):
Chapter 27 Yorick's cranium used to be actual (pages 175–182):
Chapter 28 Queen Elizabeth enjoyed Shakespeare's performs (pages 183–189):
Chapter 29 Shakespeare's Characters are Like genuine humans (pages 190–195):
Chapter 30 Shakespeare did not Write Shakespeare (pages 196–201):
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Extra info for 30 Great Myths about Shakespeare
Playwrights had little control over printing their plays. A dramatist who sold a play to a theater company had no subsequent rights over it. Authorial copyright is a development of the eighteenth century. Thus an Elizabethan playing company could do as it pleased with the text of plays that it owned. The issue is complicated by the fact that Shakespeare was a shareholder in the Globe. In this capacity, though not as a playwright, he would have shared in decisions the company made about buying and selling property (and a playbook was property).
1591, where no documentary evidence attests to his whereabouts or activities. If Shakespeare didn’t travel outside England, the question might seem to be: how did he get his knowledge of, in particular, Italy – the setting for Romeo and Juliet, Two Gentlemen of Verona, Much Ado About Nothing, The Taming of the Shrew, The Merchant of Venice, Othello – and also of Illyria (modern-day Croatia and Slovenia) for Twelfth Night, Denmark for Hamlet, Sicily and Bohemia for The Winter’s Tale, Ephesus (in the modern state of Turkey) for The Comedy of Errors, Vienna for Measure for Measure, Cyprus for Othello, and the Mediterranean for Pericles, not to mention the ‘‘uninhabited isle,’’ located in a place to which a voyage between Naples and Tunisia could be diverted, in The Tempest?
179–85) One of the reasons it is hard to decide whether Shakespeare is politically correct or incorrect is that he has it both ways. Modern productions of Coriolanus or Julius Caesar have attempted to stabilize the plays’ political sympathies through topical costuming – the conspirators as freedom ﬁghters against a dictatorship, or the patricians as the self-interested fat cats of an undemocratic state – but in Shakespeare’s hands the balance of sympathies is more delicate. Does Caesar have absolutist aspirations to disband the republic and accept the crown?
30 Great Myths about Shakespeare by Laurie E. Maguire